Ever since the invention of photography, serious photographers became interested in pieces of glass, that would help them to translate their thoughts and visions into hard copies, to share and exhibit. It is not very astonishing though, after years of computer designed available lenses, there would be a growing interest for classic lenses sooner or later. Oh yes, those Rodeschneidefujikons are superb and will deliver outstanding images, no doubt about that, but... Images sometimes lack that special characteristic, that individual photographers wanted to express themselves. For those, who are lucky to have a 50 year old Speed Graphic with a working focal-plane shutter, choices are myriad. In here, we are talking mainly about the Aero Ektar 7 Inch f 2.5 and maybe in the future the Pentac Dallmeyer 8"/2.9 or legendary Ernostar 858/7 f 1.8. For the moment however, we will concentrate on the mounting of the AE 7In. Many ways were found to attach this heavy glass on a small lens board.(From taping to Elmer's glued shoelaces). I must mention and emphasize, the serious designs and methods don't come from the USA anymore, but from the Netherlands. Since 2005, Jo Lommen - Roermond is your premier source to get things going.... |
MOD I
After WWII many Aero Ektars were offered at surplus prices (USD 5 instead of USD 800 the government paid in 1940).No wonder the AE found its way to many photographers. Exerpt from Graflex Trade notes - august 1948: |
MOD IV
The Aero Ektar mounted on the JoLo lens board. Nice thought, even the proper hex-wrench comes with it. |
MOD IV
Comparison of Mod II and Mod IV |
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